This village in Shekhawati has havelis (mansions) containing rare experi­mentations in murals. Its architecture, which was primarily boasted by the influences of British Company style and Colonial Residency architecture style, developed in Bengal. It is a village of languorous pace, giving full play to natural rhythm “arranging and changing placing carefully there a strange thing and known thing here” as Cummings would have put it. The courtyards, baadas, all around have meandering thick dark borders of dried bushes and sticks, and home many villagers and cattle. Outside are thrown, used and abandoned earthen pitchers and pots symbolizing Khayyam’s “who is the potter, pray, and who the pot?”. The whole ensemble is topped by dilapidated horizontal contours of havelis edging the dry open sky. Bends of neem trees dance around in vertical rhythm.